Tuesday, September 13, 2005

Reece Jones

'Hanging with the Wrong Crowd', Charcoal on Paper, 2005

Manipulating charcoal with an intensive repeated process of application and removal, Jones creates an unforgiving mechanical surface. A vinyl veil behind which depth and tone allude to humming vistas. Sampling stills from various b movies, jpegs, ephemera and found images as well as containing borrowed visual devices and fabricated elements these pieces simultaneously imply and elude narrative. What remain are peculiar hybrid environs, at once seductive, disquieting and bizarre.

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