Tuesday, September 13, 2005

Simon Woolham

'The Resting Place', Biro on Paper, 2005

Woolham's work is concerned primarily with occupied spaces and the narratives that unfold in them. His drawings of school playing fields, junked underpasses and the like often contain text with the tone of dialogue. Through these glimpses of speech the dilapidated environments come to life in a skint version of enchantment: a tree stump or a broken fence are filled with the meanings of the events that go on around and about them. In his attempts to unearth this unpredictable and fragile process of memory, he uses biro drawings, video, interactive CD-ROM's, and text. More recently he has built a series of mock architectural models of such environmental features as ditches, unofficial dumps and breached security fences. They are unassuming pieces made from simple materials and with seemingly modest aspirations. It is their quotidian qualities, however, that charges them with emotion, not that those emotions are easy to identify. It is not that these works are personal or autobiographical that obscures their emotional content, it is the fact that they are irreducibly, irrevocably unsettling. These sites are the scenes of humiliation as well as innocent play, of rejection and failure as well as fantasy and adventure. They are as sweet as other people’s children and as deadly as your own worst memories.

1 Comments:

Blogger simon said...

Grrrrrrrrrreat Work!!!!!!!!!!!!!!!!

5:03 AM  

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